The rich red velvet menus we created for Imane & Patrick's rehearsal dinner in Bordeaux were featured in Vogue Weddings — photographed alongside the cream-and-gold wedding stationery from their three-day celebration in France.

Wezoree is a wedding editorial platform — a curator's space where the most beautiful and considered weddings are showcased. When they feature a vendor, it is because that vendor was part of a wedding story worth telling. The Wezoree Featured Wedding badge is not given lightly. It represents not just one beautiful invitation, but one that worked within a carefully considered whole.

To be listed in their vendor credits — to see "Invitations: Polina Perri" beneath the photographs — is to be placed in the company of the photographers, florists, planners, and venues that the publication trusts. It is recognition from people who spend their time looking at weddings, and who know the difference between good work and great work.

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Carats & Cake is one of the most trusted wedding editorial platforms in the United States — a publication known for its commitment to real weddings told with beauty, care, and genuine detail. When they feature a wedding, every element has been considered: the venue, the flowers, the light, and the stationery. Our invitations were part of the wedding of Abbie & Kurt, a formal celebration held at the Historic Royal Palaces in London, with a ceremony at Farm Street Church. It was a wedding of understated grandeur — the kind of occasion where the stationery sets the tone long before guests arrive.

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Each publication that features our work reaches a different audience with a different expectation. Cosmopolitan readers are looking for style and personality. Wedding Chicks readers are looking for craft and intention. One Fab Day readers are seeking elegant inspiration for their own celebrations. Vogue readers are looking for timelessness. But they all share one thing: they are people who care about how things look and how they are made.

When our invitations appear in these places, it is not an advertisement — it is an endorsement. The publication is saying, without payment or negotiation: this matters. This is worth your attention. And for couples who see our work in these contexts, there is an immediate understanding of where we sit — not as a service provider, but as a studio recognised by the people whose opinion matters most.

Read the feature on Cosmopolitan

Wedding Chicks is where couples come to see what intentional wedding planning looks like — not the trend-chasing, not the generic choices, but the real decisions that reflect who people are. When they feature a wedding, it is because every element, from the flowers to the stationery, tells a coherent story.

Our invitations appeared in a Wedding Chicks feature of an autumn wedding in Napa Valley, photographed by Yuliya Jul Photography. It was a celebration of golden light, rich colours, and the kind of details that only appear when a couple knows exactly what they want. To be part of that story is to be recognised as part of the thought process, not an afterthought.

Read the feature on Wedding Chicks

One Fab Day is where couples find inspiration for their own celebrations — curated editorials that showcase real weddings, real details, and the thought that goes into every element. When they feature a wedding, it is because every choice, from the stationery to the venue, tells a story of intention.

Our invitations appeared in a One Fab Day feature of a black-tie New Year's Eve wedding at Kilkea Castle, photographed by Colin Colleran. It was a celebration of modern glamour and festive elegance, where every detail — including the espresso martini bar — contributed to an unforgettable evening. To be part of such a story is to be recognised as part of the experience itself.

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Country & Town House curates a guide to the best wedding stationers — the studios that understand that an invitation is more than a piece of paper. It is the opening chapter of a wedding story, and it must be designed with intention and crafted with care.

To be listed in their guide of best-in-class stationers is to be recognised as part of a select group of studios that understand luxury, customisation, and the power of thoughtful design. It is validation from a publication that knows the difference between mass-produced and handcrafted, between generic and extraordinary.

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Loved Up North showcases romantic weddings in the north of England — real celebrations where couples make choices that reflect who they are and what they love. When they feature a wedding, it is because every element, from the bride's lace dress to the stationery, contributes to a coherent, beautiful whole.

Our invitations appeared in a Loved Up North feature of an Italian-inspired wedding at Eshott Hall, photographed by Stan Seaton. It was a celebration of soft colours, romantic lace details, and the kind of thoughtful touches that only appear when a couple has considered every aspect of their day. To be featured alongside such intentional design is to be recognised as part of the story that makes a wedding memorable.

Read the feature on Loved Up North

Rock My Wedding is one of the UK's most celebrated wedding editorial platforms — a publication where real weddings are told with beauty and warmth. In December 2020, they featured the wedding of Miranda & Jonas: a Catholic ceremony woven with Ghanaian traditions, held at Syon Park in West London. Our invitations were part of the story, photographed by Michael Maurer alongside the grandeur of one of London's most spectacular historic houses.

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Love4Weddings is one of Greece's leading wedding editorial platforms — a publication that showcases the most beautiful and carefully considered celebrations from across the country. Our stationery was featured as part of the wedding of Angela & Kostas: a romantic ceremony held at Agia Anna Church in Argostoli, Kefalonia, surrounded by abundant white floral arrangements of hydrangeas, orchids, and roses. A celebration that drew its palette and spirit from the island itself — the deep blue of its seas, the warmth of its people, and the natural beauty that makes Kefalonia unlike anywhere else.

Read the feature on Love4Weddings

Press recognition is not vanity — it is evidence. When a couple is considering whether to commission invitations from a particular studio, they want to know: has anyone else chosen this work? Have editors noticed? Are other couples happy? Each feature in a respected publication is an answer to these questions. It is proof that we do what we say we do.

But more importantly, it signals something about our philosophy. We do not chase publication or advertise for features. We design for the couple in front of us, and we make the best work we can make. The publications find us because the work is there, and because couples who love what we make are willing to share it. That is the only kind of recognition worth having.

If your wedding is the kind of event that might interest an editor — if you are marrying somewhere remarkable, or if you are making choices that feel intentional and worth documenting — then an invitation from Polina Perri might be part of that story. Not because we are chasing press, but because we design for moments that deserve to be celebrated. And sometimes, publications notice.

Couples who come to us often have already thought carefully about their wedding. They have chosen a venue with intention, selected a photographer they trust, planned details that matter to them. An invitation should be part of that — not an afterthought, not a generic piece of paper, but something that announces what the day is going to feel like before the day even begins.

If you would like to discuss your invitations, get in touch. We are always happy to talk about what we make, how we make it, and whether it might be right for your wedding.